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Some vampires are said to be able to turn into bats or wolves; others can't. Some are said not to cast a reflection, but others do.

Holy water and sunlight are said to repel or kill some vampires, but not others. The one universal characteristic is the draining of a vital bodily fluid, typically blood.

One of the reasons that vampires make such successful literary figures is that they have a rich and varied history and folklore. Writers can play with the "rules" while adding, subtracting or changing them to fit whatever story they have in mind.

Finding a vampire is not always easy: according to one Romanian legend you'll need a 7-year-old boy and a white horse. The boy should be dressed in white, placed upon the horse, and the pair set loose in a graveyard at midday.

Watch the horse wander around, and whichever grave is nearest the horse when it finally stops is a vampire's grave — or it might just have something edible nearby; take your pick.

Interest and belief in revenants surged in the Middle Ages in Europe. Though in most modern stories the classic way to become a vampire is to be bitten by one, that is a relatively new twist.

In his book " Vampires, Burial, and Death: Folklore and Reality " Yale, , folklorist Paul Barber noted that centuries ago, "Often potential revenants can be identified at birth, usually by some abnormality, some defect, as when a child is born with teeth.

Similarly suspicious are children born with an extra nipple in Romania, for example ; with a lack of cartilage in the nose, or a split lower lip in Russia … When a child is born with a red caul, or amniotic membrane, covering its head, this was regarded throughout much of Europe as presumptive evidence that it is destined to return from the dead.

The belief in vampires stems from superstition and mistaken assumptions about postmortem decay. The first recorded accounts of vampires follow a consistent pattern: Some unexplained misfortune would befall a person, family or town — perhaps a drought dried up crops, or an infectious disease struck.

Before science could explain weather patterns and germ theory, any bad event for which there was not an obvious cause might be blamed on a vampire.

Vampires were one easy answer to the age-old question of why bad things happen to good people. Villagers combined their belief that something had cursed them with fear of the dead, and concluded that perhaps the recently deceased might be responsible, having come back from the graves with evil intent.

Graves were unearthed, and surprised villagers often mistook ordinary decomposition processes for supernatural phenomenon.

For example, though laypeople might assume that a body would decompose immediately, if the coffin is well sealed and buried in winter, putrefaction might be delayed by weeks or months; intestinal decomposition creates bloating which can force blood up into the mouth, making it look like a dead body has recently sucked blood.

These processes are well understood by modern doctors and morticians, but in medieval Europe were taken as unmistakable signs that vampires were real and existed among them.

The best way to deal with vampires, of course, is to prevent them from coming back in the first place. A few centuries ago in Europe this was often accomplished by staking suspected vampires in their graves; the idea was to physically pin the vampire to the earth, and the chest was chosen because it's the trunk of the body.

This tradition was later reflected in popular fiction depicting wooden stakes as dispatching vampires. There was no particular significance to using wood; according to folklore, vampires — like djinn genies and many other magical creatures — fear iron, so an iron bar would be even more effective than a wooden stake.

Other traditional methods of killing vampires include decapitation and stuffing the severed head's mouth with garlic or a brick. In fact, suspected vampire graves have been found with just such signs.

According to a Live Science article, "The body of the woman was found in a mass grave on the Venetian island of Nuovo Lazzaretto.

Whether that burial reflected an accused vampire or not, other graves are much clearer. Legend once said a man was not rabid if he could look at his own reflection an allusion to the legend that vampires have no reflection.

Wolves and bats , which are often associated with vampires, can be carriers of rabies. The disease can also lead to a drive to bite others and to a bloody frothing at the mouth.

In his treatise On the Nightmare , Welsh psychoanalyst Ernest Jones asserted that vampires are symbolic of several unconscious drives and defence mechanisms.

Emotions such as love, guilt, and hate fuel the idea of the return of the dead to the grave. Desiring a reunion with loved ones, mourners may project the idea that the recently dead must in return yearn the same.

From this arises the belief that folkloric vampires and revenants visit relatives, particularly their spouses, first.

In cases where there was unconscious guilt associated with the relationship, the wish for reunion may be subverted by anxiety.

This may lead to repression , which Sigmund Freud had linked with the development of morbid dread. The sexual aspect may or may not be present.

The innate sexuality of bloodsucking can be seen in its intrinsic connection with cannibalism and a folkloric one with incubus -like behaviour.

Many legends report various beings draining other fluids from victims, an unconscious association with semen being obvious. Finally Jones notes that when more normal aspects of sexuality are repressed, regressed forms may be expressed, in particular sadism ; he felt that oral sadism is integral in vampiric behaviour.

The reinvention of the vampire myth in the modern era is not without political overtones. In his entry for "Vampires" in the Dictionnaire philosophique , Voltaire notices how the midth century coincided with the decline of the folkloric belief in the existence of vampires but that now "there were stock-jobbers, brokers, and men of business, who sucked the blood of the people in broad daylight; but they were not dead, though corrupted.

These true suckers lived not in cemeteries, but in very agreeable palaces". Marx defined capital as "dead labour which, vampire-like, lives only by sucking living labour, and lives the more, the more labour it sucks".

A number of murderers have performed seemingly vampiric rituals upon their victims. Serial killers Peter Kürten and Richard Trenton Chase were both called "vampires" in the tabloids after they were discovered drinking the blood of the people they murdered.

Similarly, in , an unsolved murder case in Stockholm , Sweden was nicknamed the " Vampire murder ", because of the circumstances of the victim's death.

Vampire lifestyle is a term for a contemporary subculture of people, largely within the Goth subculture , who consume the blood of others as a pastime; drawing from the rich recent history of popular culture related to cult symbolism, horror films , the fiction of Anne Rice , and the styles of Victorian England.

Although many cultures have stories about them, vampire bats have only recently become an integral part of the traditional vampire lore. Vampire bats were integrated into vampire folklore after they were discovered on the South American mainland in the 16th century.

The three species of vampire bats are all endemic to Latin America, and there is no evidence to suggest that they had any Old World relatives within human memory.

It is therefore impossible that the folkloric vampire represents a distorted presentation or memory of the vampire bat. The bats were named after the folkloric vampire rather than vice versa; the Oxford English Dictionary records their folkloric use in English from and the zoological not until The vampire bat's bite is usually not harmful to a person, but the bat has been known to actively feed on humans and large prey such as cattle and often leaves the trademark, two-prong bite mark on its victim's skin.

The literary Dracula transforms into a bat several times in the novel, and vampire bats themselves are mentioned twice in it.

The vampire is now a fixture in popular fiction. Such fiction began with 18th-century poetry and continued with 19th-century short stories, the first and most influential of which was John Polidori 's " The Vampyre " , featuring the vampire Lord Ruthven.

The vampire theme continued in penny dreadful serial publications such as Varney the Vampire and culminated in the pre-eminent vampire novel in history: Dracula by Bram Stoker , published in Over time, some attributes now regarded as integral became incorporated into the vampire's profile: fangs and vulnerability to sunlight appeared over the course of the 19th century, with Varney the Vampire and Count Dracula both bearing protruding teeth, [] and Murnau's Nosferatu fearing daylight.

Much is made of the price of eternal life, namely the incessant need for blood of former equals. Byron was also credited with the first prose fiction piece concerned with vampires: "The Vampyre" This was in reality authored by Byron's personal physician, John Polidori , who adapted an enigmatic fragmentary tale of his illustrious patient, " Fragment of a Novel " , also known as "The Burial: A Fragment".

The Vampyre was highly successful and the most influential vampire work of the early 19th century. Varney the Vampire was a popular landmark mid- Victorian era gothic horror story by James Malcolm Rymer and Thomas Peckett Prest , which first appeared from to in a series of pamphlets generally referred to as penny dreadfuls because of their inexpensive price and typically gruesome contents.

It has a distinctly suspenseful style, using vivid imagery to describe the horrifying exploits of Varney.

Like Varney before her, the vampiress Carmilla is portrayed in a somewhat sympathetic light as the compulsion of her condition is highlighted.

No effort to depict vampires in popular fiction was as influential or as definitive as Bram Stoker's Dracula The vampiric traits described in Stoker's work merged with and dominated folkloric tradition, eventually evolving into the modern fictional vampire.

Drawing on past works such as The Vampyre and Carmilla , Stoker began to research his new book in the late 19th century, reading works such as The Land Beyond the Forest by Emily Gerard and other books about Transylvania and vampires.

The first chapter of the book was omitted when it was published in , but it was released in as " Dracula's Guest ".

The latter part of the 20th century saw the rise of multi-volume vampire epics. It also set the trend for seeing vampires as poetic tragic heroes rather than as the more traditional embodiment of evil.

This formula was followed in novelist Anne Rice's highly popular and influential Vampire Chronicles — The 21st century brought more examples of vampire fiction, such as J.

Ward 's Black Dagger Brotherhood series, and other highly popular vampire books which appeal to teenagers and young adults.

Such vampiric paranormal romance novels and allied vampiric chick-lit and vampiric occult detective stories are a remarkably popular and ever-expanding contemporary publishing phenomenon.

Hamilton 's erotic Anita Blake: Vampire Hunter series, and Kim Harrison 's The Hollows series, portray the vampire in a variety of new perspectives, some of them unrelated to the original legends.

Vampires in the Twilight series — by Stephenie Meyer ignore the effects of garlic and crosses and are not harmed by sunlight, although it does reveal their supernatural status.

Considered one of the preeminent figures of the classic horror film, the vampire has proven to be a rich subject for the film and gaming industries.

Dracula is a major character in more films than any other but Sherlock Holmes , and many early films were either based on the novel Dracula or closely derived from it.

These included the German silent film Nosferatu , directed by F. Murnau and featuring the first film portrayal of Dracula—although names and characters were intended to mimic Dracula ' s, Murnau could not obtain permission to do so from Stoker's widow, and had to alter many aspects of the story for the film.

The decade saw several more vampire films, most notably Dracula's Daughter in The legend of the vampire continued through the film industry when Dracula was reincarnated in the pertinent Hammer Horror series of films, starring Christopher Lee as the Count.

The successful Dracula starring Lee was followed by seven sequels. Lee returned as Dracula in all but two of these and became well known in the role.

Several films featured the characterization of a female, often lesbian, vampire such as Hammer Horror's The Vampire Lovers , based on Carmilla , though the plotlines still revolved around a central evil vampire character.

The Gothic soap opera Dark Shadows , on American television from to and produced by Dan Curtis , featured the vampire character Barnabas Collins , portrayed by Canadian actor Jonathan Frid , which proved partly responsible for making the series one of the most popular of its type, amassing a total of 1, episodes in its nearly five-year run.

Later films showed more diversity in plotline, with some focusing on the vampire-hunter, such as Blade in the Marvel Comics ' Blade films and the film Buffy the Vampire Slayer.

Still others showed the vampire as a protagonist, such as 's The Hunger , 's Interview with the Vampire and its indirect sequel of sorts Queen of the Damned , and the series Moonlight.

The film Bram Stoker's Dracula became the then-highest grossing vampire film ever. Steindl discovered in the historical inspiration for Bram Stoker's legendary Dracula character see also Literature - Bram Stoker: Dracula's Guest [] : " Many experts believe, the deleted opening was actually based on a woman.

Archaeologists, historians, and forensic scientists revisit the days of vampire hysteria in the eighteenth-century Czech Republic and re-open the unholy grave of dark princess Eleonore von Schwarzenberg.

They uncover her story, once buried and long forgotten, now raised from the dead. This increase of interest in vampiric plotlines led to the vampire being depicted in films such as Underworld and Van Helsing , the Russian Night Watch and a TV miniseries remake of Salem's Lot , both from The series Blood Ties premiered on Lifetime Television in , featuring a character portrayed as Henry Fitzroy, an illegitimate-son-of- Henry-VIII-of-England -turned-vampire, in modern-day Toronto , with a female former Toronto detective in the starring role.

It featured an unconventional trio of a vampire, a werewolf and a ghost who are sharing a flat in Bristol. The continuing popularity of the vampire theme has been ascribed to a combination of two factors: the representation of sexuality and the perennial dread of mortality.

The role-playing game Vampire: The Masquerade has been influential upon modern vampire fiction and elements of its terminology, such as embrace and sire , appear in contemporary fiction.

From Wikipedia, the free encyclopedia. For other uses, see Vampire disambiguation. Mythological or folkloric creature. See also: List of vampires in folklore.

Further information: List of vampire traits in folklore and fiction. Garlic, Bibles, crucifixes, rosaries, holy water, and mirrors have all been seen in various folkloric traditions as means of warding against or identifying vampires.

Main article: Vampire folklore by region. Main article: Vampire lifestyle. See also: Psychic vampirism.

Main article: Vampire bat. See also: List of fictional vampires. Main article: Vampire literature. Main article: Vampire films.

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Westport, Connecticut: Greenwood Publishing Group. Barber, Paul Vampires, Burial and Death: Folklore and Reality. New York: Yale University Press.

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Cohen, Daniel La mythologie du vampire en Roumanie in French. Monaco: Rocher.

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