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This is the overview of all threads in the forum 1. FC Köln. 1. FC Köln. Moderators. Subscribed threads and reading marks. Important topics. Schwaadlappe. FC Basel Forum. Das Effzeh-Forum von Fans für Fans. Diskutiert mit Gleichgesinnten über Euren Lieblingsverein und sämtliche andere Themen. When we began, not Spiele American Roulette (Section8) - Video Slots Online of us knew what terms like free culture, copyleft licenses, defending a neutral Internet and participation tools were all about…. The discussion will revolve around the points of friction between the different proposed models, in order to find ways to bring them closer together and make them more compatible. The Free Fcforum Forum brings together key organisations and active voices in these areas Kniffeln Online Kostenlos meet and work together on answers to the pressing questions that arise from the current paradigm shift. A project from:. Our Fcforum outcomes are as follows: To create of a Guide-Handbook Kurort In Italien the sustainability of Uefa Em 2020 Tickets economic models in the digital era To strengthen and expand the global complicity and the network for action that Beste Spielothek in Allerding finden exists in the FCForum. 1400$ In Euro, a financing system that dates back thousands of years, has experienced a remarkable boom on and thanks to the Internet. We believe UniversitГ¤t Hohenheim Logo developing forms that make it possible to include and improve all the different options that are brought to the table, so that they empower each other.
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Fcforum VideoXnet presenta: Informe de Crowdfunding - FCForum 2012
October Discussion The discussion will revolve around the points of friction between the different proposed models, in order to find ways to bring them closer together and make them more compatible.
We believe in developing forms that make it possible to include and improve all the different options that are brought to the table, so that they empower each other.
Powered by WordPress. Designed by Xnet and Angel Uzkiano based on the Lonelytree theme. The FCForum In , a key moment in this historical struggle, it is crucial that there be a discussion based on how to defend and generate new economic models that emerge in the digital era.
This will be the main topic of the FCForum. The plan is to address sustainability in several areas, most importantly, we think, in terms of: Economic Sustainability and Governance of Open Online Collaboration New Models of Sustainability for the Creative Sector.
Tools for policy reformers Open Public Sector Information. What organizationals principles can economically and independently sustain open online collaboration?
What specific sources of sustainability are working now? How do we stimulate creativity in the digital era? What tools and methods exist or should be developed to reform policy?
An overhaul of the legislation that regulates the use of the Internet and the dissemination of information, culture and knowledge in the digital era.
By protecting the Net, we protect a tool for democratic change , a new era. Direct forms of control are spreading to better informed and more connected citizens, allowing them to monitor governments and corporations.
Transparency, access to public data and freedom of information, which governments have always tried to hinder, are the prerequisites for any democracy worthy of the name, and are now gaining ground thanks to the efforts of self-organised citizens on the Net.
As the spectrum of information that citizens can obtain from governments and companies grows, so does our knowledge and level of control.
In , it is enabling them to adapt to the new tactical needs of the current context. With all of this in mind, the FCForum will explore the following subjects, and extract conclusions and useful tools for action from each of them:.
Even though it has been proven that cultural industries and their business models do not in fact defend the interests of authors, but rather those of multinationals and middlemen, while authors can actually defend their own interests on the Internet ; in spite of ample evidence that it will not only be inevitable but also beneficial to restructure the industry based on the new models of creation and dissemination of culture that the Internet makes possible ; in spite of all of this, some artists still believe in the propaganda of cultural industry lobbies, and are being used by them to keep their outdated and obsolete businesses afloat.
This would only be an internal problem for the culture industry, except that it ends up affecting the whole of society because these lobbies are pushing legislation that mutilates the Internet.
Every year, after publishing its influential report on Sustainable Models for Creativity in , the FCForum sets some time aside to help fast track the restructuring of the cultural sector.
Not just for the good of the sector, but also to neutralise the excuses for attacking the Internet and the free flow of culture and knowledge.
This year, we will systematise the models that have emerged from the restructuring of the journalism sector, teaching specifically music teaching , digital fabrication based on 3D copies and intermediary platforms for online music creation and distribution.
But above all, we will propose two models that are fully structured in practical and legal terms: to revolutionise for-profit sharing mechanisms on one hand, and crowdfunding on the other.
Crowdfunding, a financing system that dates back thousands of years, has experienced a remarkable boom on and thanks to the Internet. We have also seen how institutions sometimes use it to shirk their responsibility to support culture.
A sane society should promote both kinds, and support them for the good of the sector. Or could it be that governments are intent on protecting multinationals rather than authors?
As it happens, society is defending authors, while governments serve the interests of powerful cultural sector lobbies.
We, civil society and innovative entrepreneurs, believe that it is necessary to promote and defend sharing, and this includes profit sharing.
This is why, now that some filesharing platforms are turning a profit, they are suggesting a change of the game rules, in which middlemen disappear and profits are shared with the creators of the content shared.
The response came swiftly. But the battle is not over and Kim DotCom has announced that the Megabox project is going ahead and will be released soon.
Other projects are following similar paths. This transformation threatens the dynamics of research and collective production knowledge with the commercialisation of this heritage, and experimentation is disappearing and being replaced by the production of objects for consumption.
At the same time, city councils and public organisations are promoting the creation of programmes for makerspaces, fablabs and similar spaces, integrating complex communitary production with ideas of entrepreneurship and job creation.
It is in this context that we propose to analyse and debate these changes, highlighting the communities that have been key players in the appearance of the maker phenomenon and the ideas of free culture that have always been a part of the field.